| Surname | Given Name | Issue | Publication Title |
| Abrams | Carlotta Lady Izumi | 9 | The Doll |
| Abrams | Bayla | 32 | Nails |
| Abu-Baker | Reem | 20 | Over and over, I look at them |
| Acevedo | Joanna | 27 | Hold Onto Me (I’m Trying) |
| Achten | Ellee | 28 | Ascending |
| Adams | Rick | 1 | Misplaced |
| Adams | B. Chelsea | 8 | Under Many Letters |
| Adams | Tabitha J. | 10 | My Spirit Divided |
| Adams | Purshia | 15 | Dead End (Nutshell) |
| Adams | Carolyn | 20 | Dose |
| Adler | Meghan | 13 | Three Months After the Memorial; Migration; Pomegranate |
| Agrawal | Rishi | 29 | The Last Time I Saw You |
| Aiken | William | 9 | The Source |
| Akers | Charlene | 10 | Monumental Lingerie |
| Al-Zied Last | Talal | 11 | The Return |
| Alexandrovich | Jackie | 24 | Desert Reservoir |
| Allman | Cathy | 21 | Untraveled |
| Alper | David M. | 32 | Mouths of Light |
| Alvarado | Beth | 15 | selections from Anthropologies |
| Amato | Mary | 32 | Can You Let Go? |
| Anderson | John M. | 14 | Drop; After a Wild Night in Juarez; Five Rust Calder Wasps, Installed; Chiasmus; I’ve Fallen into a Midnight Marlboro Ad |
| Anderson | Holly | 17 | Maybe I’ll Stick to Cheerleading |
| Anderson | Thea | 24 | Text Me |
| Anderson-Bauer | Kaj | 17 | 13 Stories About My Friends |
| Anonymous | | 32 | At the Meeting of Heaven and Earth |
| Anstett | Aaron | 10 | Shanty |
| Anthony | Logan | 29 | Thread the Needle with the Eye |
| Apache | Crisosto | 28 | Creating Golden Heliotropes in His Hands |
| Araguz | Jose | 21 | Nada at the Market |
| Armstrong | Patrick | 27 | The Shadow |
| Arnold | Eric | 17 | Kansas Point |
| Asdel | Bryan | 21 | By Then, There’s Nothing |
| Axelrod | David | 2 | A Last Question at Hobo Lake; Owning Nothing At All |
| Ayandele | Ifeoluwa | 32 | My House |
| Ayinla | Wale | 27 | Displacement |
| B. | Kevin | 30 | Dixon Street |
| Bailor | Lucas | 24 | Bible Garage |
| Bainbridge | Jim | 14 | The Gift |
| Baines | Gay | 13 | Hedges in April |
| Baker | Jia Oak | 19 | You Who are Getting Obliterated in the Dancing Swarm of Fireflies |
| Ballard | Barry | 12 | Cave of Ashes |
| Bannier | Nel | 12 | Sisters |
| Barr | Terry | 20 | Morris |
| Bartley | Jackie | 18 | Ode to a Lily Past Its Prime |
| Battisti | Jennifer | 26 | After the Latch Breaks on the Back of a Westbound Truck |
| Beck | Ellery | 25 | River Birch; Last Night, Before I Stitched This Closed |
| Beckett | Zach | 16 | Love |
| Bennett | Eleanor | 18 | The Blood Can’t Run Much Longer; Pile Up Houses |
| Bennett | Eleanor Leonne | 21 | Thin Air Rising |
| Benson | Barry | 16 | A Navy Vet of Adak, Agattu, Amchitka, Atu, Kiska |
| Bentley | Roy | 27 | Why the Mob Picked Ohio as the Place to Dump a Body in the Summer of 1969 |
| Berger | Jacqueline | 30 | 5 p.m. |
| Berglund | Jeff | 15 | A Radiant Curve by Luci Tapahonso |
| Berman | Ruth | 7 | The O.K. Actor |
| Bertine | Kate | 9 | The Gibbledschnarf: An Essay on Communication |
| Best | James | 17 | No Caterpillars |
| Best | B.J. | 20 | Jazz |
| Bettinger | Josh | 16 | Under Tungsten Lamp; Ella’s Ornithology; The Anvil Cloud |
| Bhadresa | Kirti | 27 | Invasion |
| Bidwell | John | 6 | The Man and His Boy |
| Bird | Benjamin F. | 16 | Strangers |
| Black | Candace | 21 | New Year’s Eve |
| Blauner | Laurie | 25 | Uncivilization |
| Blenkush | Micki | 26 | Landscape with Figures |
| Blickstein | J.J. | 15 | Waiting; La Casa Azul |
| Blokh | Daniel | 22 | Birds of Metal |
| Blonstein | Anne | 12 | schlaflose nächte and dunkles licht in ihrer nacht |
| Bloom | Rachel Squires | 10 | Man Diet |
| Bloomquist | John-Michael | 29 | Psalm 8 |
| Bodnar | Chelsea | 21 | The Heiress |
| Bonapace | Ruth | 21 | Love at First Page |
| Bond | Wyatt | 23 | Fertile Ground |
| Bond | Kate | 25 | Unblooming |
| Boomer | Ellen | 31 | Girl, You’ll Be a Woman Soon |
| Boon | Carl | 29 | Secretariat at Stud |
| Borthwick | Jonathan | 32 | Trickle; The News |
| Boulton | Lauren | 21 | We Have Learned the Signs of Winter |
| Bourelle | Andrew | 19 | Xerxes |
| Bourne | Nancy | 21 | Dirty Dora |
| Bowden | Charles | 1 | Just Say the Word |
| Bradley | Sarah | 27 | Where Wild Grows |
| Bradley | Sarah | 27 | Al Morir de la Tarde |
| Brendan-Brown | Sean | 2 | 3rd Party Clutter; Every Last SOB & Then Some |
| Brendan-Brown | Sean | 6 | Reflections of Three Great Poets |
| Brendan-Brown | Sean | 16 | Fish Shop, Pike Place |
| Brewer | Gaylord | 26 | Blackberries |
| Broadwall | Catherine | 31 | Glacial |
| Brodersen | Björn | 7 | White Sands No. 2 |
| Brown | Andrea Carter | 5 | The Orrery |
| Brown-Davidson | Terri | 7 | In the Bath, Patsy Cline Has Magical Dream About Giants |
| Bruce | Jamie Lyn | 21 | When I Press Into You |
| Bruce | Kathy | 31 | Metamorphosis |
| Bryant | Justin | 10 | Set the Controls for the Jasmine Silver |
| Buchanan | Brad | 12 | Soap Opus |
| Burch | Frances W. | 11 | Boxes |
| Burzynski | Peter | 21 | Drop the Anchor |
| Busch | Trent | 21 | Aunt Phyllis |
| Bynum | Randy | 32 | Remains |
| Byrne | Christine | 27 | Moonjug and the Weight of Air |
| Callahan | Daniel Dias | 27 | In the Darkness |
| Callanan | Liam | 22 | Sleep Tight |
| Callcott | M.V. | 10 | The Scarecrow |
| Camp | Roger | 31 | Apartment Reflection, Yerevan Armenia |
| Campbell | Richard | 8 | Decisions |
| Campbell | Alexi | 11 | Sea Horse Redux |
| Candice | Christopher | 20 | Robery Mulholland’s Recovery Journal |
| Caplin | Abby | 30 | Falling Apart |
| Capra-Thomas | Caylin | 19 | I Could Tell You Again |
| Cardenas | Rene F. | 9 | Filling the Ledger |
| Carlson | Ron | 1 | Max Who Caught a Car |
| Carlson | Seán | 31 | Lepidopterophobia |
| Carney | Rob | 4 | That Bad-Ass God from the Oly Days Appeared to Me in the Form of a 40-Gallon Hat |
| Carollo | Kevin | 19 | Purr |
| Carson | Angela Doll | 22 | Laundry List |
| Carswell | Sean | 8 | Bulldog Front |
| Carswell | Sean | 20 | Wide Empty Sky |
| Case | Susana H. | 18 | Gaps in My Resume |
| Case | Susana | 20 | Labor |
| Catlin | Alan | 11 | Our Lady of the Spirits |
| Cervantes | Clarissa | 32 | Survivor |
| Chacón | Kenneth | 29 | A Love Supreme; or, Giant Steps |
| Chai | Joylyn | 27 | There’s a Ballrom at the End of This Dusty Road & You Need a Password to Enter |
| Chambers | Christopher | 10 | El Viejo, 1991 |
| Chang | Michael | 29 | Saturday Night |
| Chapis | Jennifer | 13 | Pear Poem; A Return Letter; 30-Something, Single Female Hostess; Nine Pieces to a Love Poem in Past Tense |
| Chapman | Norma | 12 | Here are the Rules |
| Charette | Danielle | 31 | Are Even the Birds Chained to the Sky? |
| Cheema | Isra | 29 | Victory, Palestine |
| Cheilek | Annette | 29 | Interruption; Great Falls |
| Chernov | Tanya | 16 | Tide-out Beach on Dash Point, Washington State, Early March |
| Chini | Lucas | 31 | Grasshopper // Grasshopper |
| Christie | Morgan | 30 | Way Way Bon |
| Cihlar | James | 29 | Comforting the Bully; Ways to Stop Worrying; Thing Theory |
| Citron | Lana | 29 | The Understanding |
| Clark | Clayton Adam | 21 | Winter Skin |
| Clark | Kadence | 23 | The Stolen Veil |
| Clark | Marisa P. | 28 | Amelia Catches Light, Refracts |
| Clark | Clayton | 29 | Some Organism |
| Clark | Caleb | 30 | Because of Cabbages and Cream Puffs |
| Clark | Ryan | 31 | Ripe for Development |
| Cohen | Brian | 26 | Crow |
| Cohen | Lynn | 29 | Treehouse |
| Cole | Sharon Nicole | 25 | A Wolf at the Door; Lucky 13; The Fallen Wanderer; Discorder; Button |
| Cole | Vito | 26 | Harry Houdini’s Great Escape |
| Coleman | Earl | 10 | My Mother’s All Too Brief Affair with Rudolph Valentino |
| Coleman | Earl | 11 | Busting Out |
| Collins | Molly | 32 | A Nickle |
| Compton | John | 28 | His Hair Went Up Like a Wick (1, 2, 3) |
| Conklin | Joshua | 14 | Lady MacBeth and I; Stimulus Control; Bubble Letters |
| Conley | Willy | 32 | N’ ‘I’ Wish |
| Cook | Rob | 13 | Poverty Exam; Post-Deciduous |
| Cook | Timothy | 25 | Stream of Consciousness |
| Copeland | Seth | 31 | from the Surface World |
| Corbin | Amanda Nicole | 20 | The Crickets Got Out |
| Cordeiro | William | 19 | Wrack Lines; Eventide |
| Coshnear | Daniel | 5 | Where’s Fran Haynes? |
| Coutant | Helen | 16 | The Lessons |
| Covill-Grennan | Grace | 26 | Goodbye |
| Cowger | Damien | 21 | Clangor |
| Crombet | Bertha Isabel | 30 | Ode to Crepuscular Creatures |
| Crow | Dallas | 22 | The Prose Poem and Common Household Appliances |
| Crow | Dallas | 25 | Mt. Caramel Junction, UT |
| Currans-Sheehan | Tricia | 30 | My Mother |
| Currin | Jennifer | 13 | Caught Reading Biographies in Heaven |
| Danger | Jessica | 22 | Lawn Chairs |
| Daniels | Delicia | 17 | sounds like home |
| Daniels | Barbara | 20 | You Ask Me the Names of the Flowers |
| Daniels | Barbara | 26 | Edgewood Road |
| Daniels | Barbara | 27 | Col Legno; Selah |
| Davenport | Stephen | 9 | My Untranslatable Signature Bomb Sonnet; Phallusary 1 |
| Davenport | Stephen | 12 | Instructions on the Back of a Box of Poetry for Howard Nemerov |
| Davidson | Rob | 9 | What We Leave Behind |
| Davidson | Caroline | 21 | To Shoot Guns in Mansfield |
| Davidson | Perry | 23 | Wren |
| Davis | Sasha | 6 | Winona |
| Davis | Carol V. | 8 | Alfred Brendel Plays the Piano |
| Davis | Jon | 26 | Driving Utah |
| Dawson | Gray | 31 | Marinara Sauce |
| Day | Lucille Lang | 8 | End of Superstition |
| Day | Orman | 10 | When They Harvest Me |
| Day | Holly | 25 | The First Step; The End |
| De La O | Jeni | 24 | The Women Who Love(d) Abuelo |
| de Monbrison | Ivan | 21 | French Artist |
| de Stolfe | Robert-George | 10 | Chris in Tathiti; Lost in Time |
| Deardorff | Michelle | 17 | Suspended |
| DeCarteret | Mark | 19 | Birdwatching for Beginners |
| DeCesare | Barbara | 12 | Topography |
| Dela Cruz | Darrell | 16 | shuffle |
| Dela Cruz | Darrell | 21 | Education Reform |
| Dennison | Linda | 22 | Four Hours |
| Denst | Bob | 22 | Ponderosa Snag, White Horse Lake; Looking Towards Port Townsend; Wood and Stone #3, Whidbey Island; Anchor Ring, Ft. Casey |
| Derr | Laine | 23 | Lovingly Grateful: An Interview with Ross Gay |
| Deutsch | Adam | 14 | Flagstaff; His Singing Voice Is Gone; After Clipping a New Throw-out Bearing in the Transmission of the ’72 MGB |
| Devlin | Alyssa | 27 | North Country Derecho |
| Devney | Meredith | 18 | Pantoum for the Class of 2000 |
| Dick | Jason | 3 | Film as Interpretive Literature: How Great Films Get Away With Murder |
| Dick | Jason | 3 | Read This? Book Reviews (co-authored) |
| Dickens | Andrea Janelle | 18 | Phenomenology; Winter Birth |
| Dickson | Stephanie | 12 | Apple Blossom |
| Dillion | Panika M. C. | 31 | the ten of floods |
| Dillon | Andrew | 21 | Dust |
| Dimma | Katherine | 13 | The Afterlife of Objects |
| Dinges, Jr. | Richard | 14 | Driving in Traffic; Essay; Striking the Colors; Death Recalled |
| Dinges, Jr. | Richard | 22 | Into Faces |
| DiNuzzo | Brian | 19 | The Censor |
| Dixon | Stephen | 1 | Survivors/Fritz |
| Dixon | Stephen | 3 | Fritz |
| Dixon | Cat | 21 | To a Christian Man |
| Doran | Alexa | 20 | Some Call it Dada, Some Call it Divorce, or Dorothea, a painting by Chuck Close |
| Doreski | William | 20 | Condolences Offer Themselves |
| Dorroh | John | 30 | Balance |
| Dorroh | John | 31 | While We’re Away |
| Douglas | Leisha | 23 | Breckenridge |
| Downes | Christian | 22 | Alms |
| Doyle | Jacqueline | 19 | Meta-Fictional Pasta |
| Duckworth | Jonathan Louis | 22 | Scary, Silly, Dead |
| Duckworth | Jonathan | 23 | Eyes |
| Dunkle | Iris | 21 | Planting Gold Ridge Mid-1800s |
| Duran | Jared | 21 | What Now, Monkey Face? |
| Dwyer | Caitlin R. | 15 | The Switch; Drifts |
| Edwards | Nora | 11 | Jesus in a Fish Tank |
| Elliot | Ellis | 29 | Nureyev at the Orpheum. Memphis, 1987 |
| Elliott | Okla | 17 | The Idiot’s Faith |
| Ellis | Scott R. | 4 | Mercy |
| Ellis | Sonia | 14 | Wild Horses |
| Ellsworth | Kenneth | 6 | Two a.m. |
| Elyshevitz | Alan | 26 | Sunrise |
| Emerson | Danielle Shandiin | 30 | her, and those before her. |
| Endres | Rebecca | 26 | The Quietude |
| Erny | Kristina | 30 | Early Life |
| Esteve | Jean | 13 | Under the Car |
| Estrada | Emile | 30 | This Side of the Wall |
| Evenson | Brian | 2 | Water and Angels |
| F. | Jennifer | 27 | John Dô |
| Falconhead | – | 20 | The Rape of Chrysippus, or From the Bed of One Who Sleeps |
| Falke | Damon | 16 | Somethings We Have Seen And Why I Have Kept Them; Summers in the High Desert |
| Fang | Dana | 22 | Singing Machine |
| Fincake | Gary | 10 | The Platitudes of Handiwork; Running Through Directions |
| Fischer | Hannah | 12 | Rhubarb: The Savior |
| Flood-Burlington | Timothy | 21 | Northern Santa Fe |
| Flores | Cristina | 26 | Small Talk |
| Ford | Judith | 30 | I Try to Be Here; Sap Rises; Wind Has No Real Voice |
| Foster | Michael | 10 | Electric Totem |
| Fowler | Sara Ellen | 28 | Above My Hunger, Across My Wingspread |
| Francis | H.E. | 9 | On Painting Women |
| Frazier | Christian | 9 | A Short Stay |
| Friebert | Stuart | 17 | Lonesome Water |
| Friedman | D. Dina | 32 | Lamentation |
| Fromm | Steven | 28 | Ecstasy Caribbean Millennium |
| Gabriel | Jerry | 3 | Two Sides of an Heir Apparent: The Art and Activism of Writer Rick Bass |
| Gaddis | Laura | 25 | Twenty Weeks |
| Gaither | Renoir | 24 | Peeps |
| Gallagher | Ryan | 22 | Big Bear |
| Gallagher | Eamonn | 31 | The Golden Turtles |
| Galloway | David | 27 | Hillendale Country Club, Morning Guard |
| Galván | Robert René | 27 | Hair |
| García | Kenning JP | 28 | We Are All Imaginary |
| Gardner | Joann | 3 | Low Tide |
| Gaustad | C. Abe | 8 | Jojo Mama’s Son |
| Getz | Brandon | 18 | Second Page of a Letter Dated March 7, 1983 (Found in an Old Bible) |
| Gibbons | JoLee | 2 | In March/Patchwork |
| Gibbons | Mark | 5 | Gallows Jubilee; Pissed at Potter’s Funeral |
| Gibson-Tran | Kimberly | 31 | Teacup: A Secret History |
| Gillespie | Deborah | 10 | The Eligibles |
| Ginsberg | Arthur | 13 | Squaw Valley Descent |
| Giordano | Jo | 22 | Bloomers |
| Girard | Jessica | 13 | Notes from Space |
| Glauber | Gary | 20 | The Reveal |
| Glenn | Daryl V. | 12 | Reverse Gender |
| Goldfarb | Gene | 20 | Alone |
| Goldwasser | Jake | 27 | British Airways |
| González | Fabian | 25 | Realization: Allegory About You and Me |
| Goodw.y.n | – | 28 | Montgomery, Nameless, Today |
| Gore | Sylee | 28 | I Don’t Make the Rules |
| Gorskaya | Nina | 29 | Like You Don’t Love Your Homeland |
| Gosztyla | Mark | 24 | Chaise Poem |
| Gott | George | 11 | Umbra #093 |
| Gottesman | Leslie | 18 | Bananas After Dark |
| Gow | Robin | 25 | The Cycle of Life |
| Graham | Neile | 13 | The Mainland Tour: Orkney |
| Grandbois | Peter | 31 | Crow tries to fill the silence |
| Grant | David M. | 7 | An Interview with Barry Lopez |
| Grant | Bernard | 21 | Whip |
| Green | Leigh | 30 | i’m jealous of the young tree growing in a landfill, from a pit scarred by the scape of my teeth. |
| Greenberg | Zachary Asher | 18 | A Trajectory of Blessings |
| Greenhause | Jonathan | 15 | Around the Circles of His Lunacy |
| Greenhause | Jonathon | 21 | Off the Map |
| Greenhause | Jonathan | 22 | A Blueprint of Dispossession |
| Greenhause | Jonathan | 25 | Overreach |
| Greenway | William | 18 | The Gods of Sex; The Automated Suicide Hotline |
| Grey | John | 6 | Searching for Signs of You |
| Gunther | Teresa Burns | 14 | Wake |
| Gunther | Mark | 23 | Measure Twice, Cut Once |
| Gurley | James | 13 | Farewell |
| Guzman | Isa | 27 | La Ángel de First Responders [Woodhull Hospital] |
| Hadaway | Meredith Davies | 30 | What My Hands Say |
| Hagen | Hanna | 16 | Cans |
| Haggerty | John | 19 | Big Bitch Material |
| Haight | Abby | 13 | The Whale |
| Hall | Kris | 22 | Silver Dollar Moon |
| Hall | Ceridewen | 22 | The Zoo and Botanical Garden |
| Hamann | Dane | 25 | The Late Hours |
| Hamilton | Tom | 7 | Gun Powder |
| Hammer | Bobb | 8 | Man by Plane; Couple by Plane |
| Hanemann | Cordelia | 30 | Wednesday’s Child |
| Hanson | Danielle | 21 | Coatimundi |
| Harms | Jim | 3 | Now That Stephen’s Back |
| Harrod | Lois Marie | 7 | The Transformation of the Hummingbird |
| Hartmann | Van C. | 12 | Sequins |
| Hartung | Marie | 21 | The Parts I Didn’t Plan For |
| Harvey | Gayle Elen | 7 | At the Desert’s Edge |
| Hasnain | Javeria | 29 | The Poets; Self-Portrait as a God in the Shower |
| Hauck | Larissa | 31 | False Realities |
| Haugh | Pat | 10 | Letter to James Sullivan |
| Haven | Chris | 20 | The Black Holes Uploads a Match.com Profile |
| Hayna | Lois Beebe | 12 | Body Language |
| Haynes | Robert E. | 8 | Portrait in Concrete |
| Heath | Tyler | 18 | Daughters; Piñata |
| Hedetniemi | Karin | 29 | Shadow of a Tall Saguaro |
| Held | Grey | 12 | Convertible |
| Henderson | Melissa | 17 | First, Sole, Thunder, and Stitch |
| Hernandez | Victoria Mallorga | 27 | The DSM Only Has So Many Answers, Edward |
| Herrell | Dennis | 20 | Afterthoughts on M |
| Herrera | Jaime | 30 | A Borderless Border |
| Highfill | Jannet | 18 | Life Work |
| Hill | Duncan M. | 18 | Smoke Stack |
| Hill | Alan | 32 | The World Is Other People |
| Hirt | Jen | 27 | To Make a Foolish Move |
| Holmes | Ray | 19 | In The Park with False Ruins |
| Holmes | Katherine | 21 | The Old Ladies at the End of the War |
| Horowitz | Stanley | 21 | Looking Down |
| Hu | Henry | 23 | Storm Field |
| Huck | JM | 30 | Xenophobic Fortune Cookies |
| Huey | Amorak | 17 | Lines Composed on the Campus of Orta Dogu Teknik Üniversitesi |
| Hughes | Sara | 20 | Jill Explains the Fall |
| Hughes | Alex | 21 | Maturing to Youth |
| Hunter | Elizabeth | 14 | The Autobiography of Rand Nicholson |
| Hurowitz | John | 3 | Read This? Book Reviews (co-authored) |
| Hurtubise | Mark | 32 | Possibilities |
| Huset | Zebulon | 21 | Now-Now-Now |
| Ibrahim | Anastasia | 30 | [Refugee] joy must be implicated from exchanges of desolation // in between the heavens of heartbreak, it is curated outside the walls of a museum, a university, a home |
| Iglesias | Holly | 3 | Brinker; The Well |
| Imbach | Kate | 22 | The Hole Game |
| Ismail | Marika | 13 | Confluence; Opening the River |
| Ives | Rich | 18 | I Have Failed to Contain Myself; Don’t Call Me Bob (excerpt) |
| Jackson | James Croael | 22 | “I Wish I Knew How to Quit You,” Says the Moon |
| James | D. R. | 26 | Kingdom of Gauze |
| Jamieson | Erin | 25 | On the Shore |
| Jamison | R.T. | 18 | How to Properly Maintain Your New Aquarium |
| Janae | Dani | 27 | Portrait of My Mother as Bearer of Monstrous Seed |
| Jay | James | 5 | At Tucker Plastics Factory; Ground; Tarantula Dreams; Toiling in the Morning |
| Jenkinson | Carl | 15 | La Fournaise |
| Jeter | Lauren | 24 | Seamstress |
| Jewett | Darryl | 23 | The Spud; Cups |
| John | Daniel | 11 | Victor |
| Johnson | Nancy | 3 | Moon Beats Gulf; Therapy |
| Johnson | Iris | 4 | Apples |
| Johnson | Seth | 11 | Chakra Totem; Man Behind the Sun |
| Johnson | Brad | 15 | The Wake |
| Johnston | Patrick | 32 | Between Wars |
| Jolley | Brian | 7 | Untitled |
| Jones | Korbin | 26 | Pineapple Sours; The Man Who Owns This Name |
| Jones | Laura | 28 | Missing |
| Jordan | David | 9 | Tease |
| Joseph | David | 31 | Born to Read Wilde; Shoefish |
| Jovanovska | Ana | 26 | Collection of Memories #3 |
| Joyce | Beverly | 31 | Lake View Flowers |
| Judson | Don | 19 | The Dead Dream Us (II) |
| Juliano | Gary | 7 | Arroyo; Grand Union |
| Kamsoke | Brian | 24 | Timber |
| Kaneko | W. Todd | 16 | We Are Made of This; The Heart of Saturday Night; The Astronomers |
| Kannemeyer | Derek J. | 7 | In Which My Mother Vacuums Flat the Budgie |
| Kanta | Sneha Subramanian | 27 | Caesura |
| Kanta | Sneha Subramanian | 32 | Late Evening In A Burning City |
| Kaplan | Elise | 18 | Massacre in Pink |
| Kazemi | Alex | 25 | Medical Artifacts from the Tower of Babel |
| Keane | Alicia Byrne | 28 | These Silver Trees |
| Kearsley | Carmella Roy | 13 | Get My Goat |
| Keating | David Michael | 16 | Son |
| Keefe | Michael | 23 | Ujasiri |
| Kelley | Kevin | 20 | The Ghost in My Shower |
| Kelly | Brigit Pegeen | 4 | Dead Doe/The Place of Trumpets |
| Kelly | Scott R. | 11 | Disappear Here |
| Kelly | A.K. | 24 | Trail of Giants |
| Kempton | Karl | 28 | Arr(i)v(i)ng |
| Kercher | Tim | 17 | Tbilisi Sweepers |
| Kercheval | Jessie Lee | 12 | Hobbies and Homework |
| Ketcham | Amaris Feland | 24 | Datil Yucca |
| Keys | Andy | 27 | Les Dents du Fond Qui Baignent |
| Kim | Kate | 32 | survival song |
| King | Cindy | 21 | Zoonotic |
| King | Elizabeth | 25 | We Don’t Need No Ed.; We Don’t Need No Ed. I; Le Petite |
| King | Katie | 30 | Assembly of Lastingness |
| Kingsbury | Eric | 22 | the warlock of times square |
| Kinross-Wright | Cary | 31 | Heartwood |
| Koenig | Mike | 24 | I Remember Jason |
| Kolosov | Jacqueline | 22 | Intention in Three Movements |
| Koon | Emily | 20 | Holes |
| Korolog | George | 19 | An Observation at the Conjunction of Black Holes and Crickets |
| Kovacs | Nobert | 25 | Plant |
| Krause | Richard | 11 | The Dwarf |
| Krueger | Jennifer | 18 | Air France Flight 447 |
| Krut | Kayla | 27 | Postcard (Vienna) |
| Kuhl | Christopher | 21 | October |
| Kuntz | Len | 17 | Brick Room |
| Kunz | Robb | 32 | The Death of Hypatia Alexandria 415 AD |
| Kuo | Shirley | 20 | Rusting Bones |
| Kutchins | Laurie | 29 | Mother Ocean |
| Laber | Jarrod | 30 | Shadows |
| Labrie | Aimee | 25 | How to Get Rid of an Elderly Dog and Other Bad Advice |
| Lachenmeyer | Nathaniel | 31 | The Princess and the Golem |
| LaFemina | Gerry | 21 | Last Scene of an Unfilmed Romantic Comedy |
| Lakritz | Jessica | 17 | This is geology, not love |
| Lang | Jennifer | 31 | BLICKDICHT; Schichtenweise |
| Lang-Herfurth | André | 11 | Chess; Chess Players |
| Largo | Baahozohnii Bah | 32 | Less of Us |
| Larson | Brooke | 25 | Paper Pillowcase |
| Last | Kirk Schlueter | 19 | 14 Ways of Watching Randy Johnson Kill a Dove With a Fastball; Love Poem #7 |
| Laughlin | Sean | 3 | Planet X |
| Lautenbach | Cathy | 31 | Sometime After |
| Lawrence | Patricia | 2 | Witchcraft |
| Lawrence IV | Mark A. | 8 | Dust La Voyage |
| Lawry | Mercedes | 21 | Sudden |
| LB | Bee | 29 | The Apples and the Bodies That Picked Them; There Are Times My Body Leaves Its Shape Behind |
| Leatham | Kent | 19 | Air |
| Leblanc | Courtney | 25 | I Don’t Write Many Nice Poems About Him |
| Lee | David Dodd | 18 | The Other World |
| Legault | David | 25 | A New Kind of Pain |
| Lenard-Cook | Lisa | 15 | Vaya a Dormir, Perro Muerto |
| Lenhart | Lawrence | 21 | Munchos Kithanink |
| Leonard | Sarah Van Praag | 22 | Mirage is Not a Warm Soda |
| Lewis | Nadine | 15 | America Is Not Dead |
| Lewis | Andrea | 17 | Flying High: Better Writing Through Simple Fixes from K. Hart Undertwis |
| Lilli | Diana | 8 | Take a Rib |
| Lin | Daniel | 13 | The Bedroom |
| Lin | Daisy | 27 | Water Works |
| Locascio | Karen | 21 | Star of the Sea |
| Locke | Duane | 23 | Sur-Objects 618 |
| Loley | Manny | 27 | Kǫǫ Sin Diits’á |
| Long | Joel | 21 | Middle School Art |
| Long | Glenn A. | 21 | Ponies |
| Lopez | Vinnie | 28 | New Folds |
| Losapio | Ross | 19 | I Knew |
| Loskill | Calli | 21 | Recognition and Admission; Settled |
| Lowden | Patricia | 15 | The Great Wait That Will Not; Into the Fire |
| Lucero | Alejandro | 27 | Farm for Sale: Mora, NM |
| Lupita | Emily | 29 | Standing in Line; Abuelo’s Flowers; Vision |
| Lurie | Bobbi | 8 | Sepia |
| Lustig | Sarah | 10 | Temperance River; Dewdrop Blanket |
| Lutken | E. R. | 26 | Gravity |
| Ma | Sijia | 27 | Nothing in the Dots |
| Ma | Sijia | 27 | Grief |
| Mabrouk | Nadra | 19 | Virgin |
| MacAllister | Mark | 31 | Things to Do While Awaiting Reincarnation |
| Mack | Elizabeth | 20 | Currency |
| MacLachlan | Jeffrey H. | 19 | The Bath Party Photographs; The Lockets of Jesús Malverde |
| Maddox | Marjorie | 18 | Donation |
| Magaña Amaya | Arturo | 27 | Who Am I? ¿Quien Soy? |
| Magill | Lynn | 27 | Misdemeanor Village |
| Majarian | Lynda | 4 | Postscript to Cloud Nine |
| Malhotra | Mitu | 30 | Where I’m From; Seve Bleue |
| Malin | Stephen | 12 | Urban Nocturne |
| Malin | Stephen | 15 | High Jump; Afterplay |
| Malito | Giovanni | 10 | Placenta |
| Malone | Dave | 20 | You Can Deny |
| Marcus | Adrianne | 6 | Names |
| Mariano | Allie | 25 | Slug |
| Maril | Nadja | 27 | Bareback Rider |
| Markowitz | Lisa | 15 | Lost in Vegas |
| Maroste | Mary | 25 | For the Yew Bush on Fire |
| Maroste | Mary | 27 | Space Nexus & Pelops |
| Martin | Kaela | 22 | Where They Went |
| Martone | Michael | 19 | Mom; Wow |
| Marvin | J. Parker | 30 | 44256 |
| Massey | Evan | 27 | Turf Wars |
| Mastroni | Carly | 23 | Ceasefire |
| Maxson | Nate | 23 | Further Intonations of the Fever |
| McArtor | Victoria | 21 | Jigai is Another Thing I Do by Myself |
| McBride | Lisa | 13 | The Fashioning |
| McCloy | Molly | 3 | In Search of GWCHUFCTV |
| McClure | Jonathan | 19 | Photograph |
| McCormick | Stanley | 23 | My Father’s Jacket |
| McCormick | Christopher | 29 | Portrait of Hunger as the Opossom Eating Through a Hole in the Wall |
| McCrary | Amber | 28 | Untitled |
| McDonald | Alexi | 9 | Untitled 3; Untitled 4; Untitled 5; Untitled 6; Untitled 7 |
| McGlynn | David | 22 | The D Word |
| McGowan | Robert | 16 | Approaches #23; Approaches #12 |
| McGowan | K.A. | 18 | Sister Says Damn |
| McKay | Becka | 23 | “Sayornis phoebe” as Mistranslation |
| Meade | Karl | 28 | The Center Man |
| Melum | Isaac | 15 | Inevitable Surprises: A Call & Response with Sean Singer |
| Meszaros | Bob | 12 | Neglect |
| Metz | Mitchell | 9 | Doing Dillard |
| Meyerhofer | Michael | 13 | Cleaning the Bathtub |
| Miller | James | 26 | Outline for a Small Film in Eight Shots |
| Miller | Maya | 32 | Revenance |
| Mills | Joe | 25 | Nails; Violence |
| Minich | Jan C. | 7 | The White Lady |
| Mollica | Joseph Charles | 27 | Boots |
| Morefield | Mary Anne | 17 | On the First Day of Spring, out Early |
| Morris | Michael S. | 18 | A Blue Shoe |
| Morris | Ellen Birkett | 19 | Last Words |
| Mulrooney | Christopher | 17 | lisped in numbers |
| Murphy | Rich | 10 | The Tortoises and the Mayor |
| Murphy | Peter E. | 13 | At the Hotel Fantasia |
| Murphy | Rich | 21 | Mortar for Oblivion |
| Murray | Michael | 24 | Bedtime |
| Myers | Peter | 13 | The Next Person |
| Nadler | Robby | 20 | there was no saving taxi |
| Nash | Benjamin | 23 | The Yellow Bells |
| Nealand | Eireene | 13 | Ravina – from Origami with the Ocean |
| Nehemiah | J. David | 31 | I’m Gone, If It’s For Me |
| Nelms | Sheryl L. | 6 | Hell Is |
| Neonlumberjack | Ners | 31 | Tiny Neon Lumberjack |
| Ngo | Hoa | 16 | Next to My Heart I Keep a Digitally Altered Photo of You |
| Nguyen | Hoang | 15 | pencil sketch from “The White Owl”; full color from “The White Owl” |
| Nielsen | Rees | 20 | If Only |
| Nizami | Lance | 24 | Observance |
| O’Connor | Michael | 21 | Two Buffalo |
| Obiekwe | Franklin | 32 | Let Me Live |
| Ogbonnaya | Chibuike | 32 | Time |
| Olin | Marlene | 22 | Waiting for the Boom |
| Oliphant | Mike | 24 | Medium Warp: Excerpts of a Digital Consciousness |
| Onaran | Korkut | 17 | Intercourse |
| Ordell | Bizahaloni | 31 | Reruin |
| Orion | Shawnte | 19 | Kentucky Freud Chicken |
| Orion | Shawnte | 21 | Depreciation of Clutter |
| Orr | David Spencer | 7 | Señor Saguaro; Longhorn Beetle |
| Orr | David Spencer | 8 | Emergence; Mexican Poppy; Millennium |
| Ott | Martin | 19 | Goodnight; Mad Libs for Politician |
| Oulmann | Lynda | 12 | Paradigm |
| Palacio | Derek | 18 | The Lobster Hunt |
| Palacio | Derek | 19 | Elegy for the Stem |
| Palmisano III | Frank S. | 10 | The Bachelor’s Bible |
| Palomba | Lauro | 22 | The Last Word |
| Panning | Anne | 22 | Muse |
| Parizeau | DF | 24 | Beyond City Limits |
| Parlak | Özgür | 15 | Towards the Unknown; Reflections; Curiosity; On the Coast of Life; Thai Fisherman; Peace |
| Patrick-Kinneen | Sean | 19 | Do You See? |
| Patten | Donald | 32 | Noa; Merrilee |
| Patterson | Brandon | 21 | Season of Storms |
| Payne | Basil | 32 | snake kissing in the closet |
| Pearman | Tory | 30 | On the Properties of Hidden Things |
| Peckham | Joel | 27 | Inconspicuous Consumption |
| Pekin | Paul | 18 | Flight |
| Pelletier | Hannah | 24 | The Lady Next Door; Lessons on Detachment, Volume One |
| Peña | Amanda P. | 7 | A Kill Til Later |
| Penha | James | 25 | All Fall Down |
| Perchik | Simon | 6 | 3 |
| Peterson | Laurel S. | 12 | The Woman Who Loved a Man Who Refused to Come Out of the Woods |
| Peterson | George | 29 | Fool Hen Park |
| Petty | Matt | 28 | Heart of a Dove; The Egg |
| Pfingston | Roger | 13 | Games with Dad |
| Phillips | Carl [interview] | 22 | A Gesture of Love |
| Phillips | Davis | 28 | Not My Type |
| Piccone | Samuel | 20 | Removal |
| Piekarski | Thomas | 24 | Tale of the Red Frog |
| Pietrzyk | Leslie | 18 | BASIL |
| Pinckney | Diana | 20 | Wolf to Dog |
| Pinho | Kirk | 18 | BLOOD IS SWADDLED IN THE MATERNITY WARD; BLOOD’S SUMMER FLING; Dear Reader, |
| Pisacano | Anne | 32 | The Meditation Retreat |
| Pisarra | Drew | 20 | Love is Colder Than Death |
| Polak | Katherine | 16 | The Dead |
| Pomeranz | Jory | 24 | The Fractalist |
| Popova | Margarita | 28 | Sunflowers |
| Porwagamage | samodH | 31 | My Fountain |
| Potter | Danielle | 32 | Anywhere But Here |
| Poussin | Fabrice | 23 | Double Take |
| Power | John | 32 | Proud Old Diego |
| Powers | Luke | 16 | Heart, Lungs, Ears Do You Hear Me; Pop Corn; My Heart Evolves |
| Prentiss | Sean | 20 | The Uncertainty Principle |
| Prentiss | Sean | 22 | Autumn of the Heart |
| Procopio | Father Clement | 2 | The Olancho Experience Pt. II; The Pacific Coast Experience |
| Provencher-Natale | Nicole | 22 | A Parrot Named Darwin |
| Provenzano | Carrie | 15 | Mexico; Death of a Disco Queen; New Paltz; Woodstock Bicycle Cemetery |
| Prundaru | Ana | 22 | Untitled Acrylic on Paper |
| Pryor | Deri Ross | 22 | Never on Tuesdays |
| Pugatch | Ana | 25 | Lost Luggage |
| Putney | Dani | 27 | Convergent Boundary |
| Quinn | Shannon | 20 | Bear Polite |
| Quinn | Shannon | 22 | Dear Radioactive Fox |
| Quinnelly | Katie | 25 | Surprise |
| Quintanilla | Octavio | 18 | Home |
| Raban | Verena | 31 | Day Day; Day Day |
| Rahnema | Shireen | 1 | On Women Who Cover Their Hair |
| Rangel | Nalisha | 11 | Self-Portrait with Snake |
| Rathkamp | Joshua | 20 | In Response to the Denied Appeal of the Court Order |
| Raymond | Sandra | 15 | Pork Belly Futures with an introduction by Ann Cummins |
| Reardon | Patrick T. | 27 | Abraham’s Altar |
| Regier | MacKenzie | 20 | The Dangers of Instant Space/Time Travel |
| Reim | Nicolette | 30 | The Man with Green Shoelaces |
| Renick | Kelly | 28 | What Can Still Grow |
| Renschler | S.A. | 30 | Uncle Don, Vanna White, and a Pandemic from Another Time |
| Resetarits | C. R. | 26 | Aspen |
| Rhoades | Lisa | 27 | Meawhile the World |
| Ribby | Reneé | 21 | Loved |
| Riley | Megan | 11 | Handing It Over |
| Ritter | Nicholas | 31 | Sun |
| Riz | Sjafril | 31 | Balaa |
| Rizzi | Richard | 15 | Stolen Weather; Country With No Wind; i fixed the skyscraper |
| Robbins | Richard | 15 | Fifteen; What They Want of Him |
| Robbins | Sarah | 26 | Conversations I Didn’t Have With My Mother |
| Robbins | Richard | 31 | The Last Kokanee |
| Roberts | M.A. | 6 | Of Silence and Scattering |
| Roberts | Cody | 15 | Native Americans in Comic Books: A Critical Study by Michael Sheyahshe |
| Roberts | Jonathan H. | 17 | Rembrandt and the Boy in the Street |
| Roberts | Stephen | 20 | Blessings |
| Roberts | Stephen R. | 22 | Shopping Hazards |
| Robin | Valerie | 15 | KRAZY: The Delirious World of Anime + Comics + Video Games + Art by Bruce Grenville |
| Robinson | Lisa Beth | 3 | Closure |
| Robinson | Lisa Beth | 5 | Bull Island; Yellow Train |
| Rodriguez | Esteban | 19 | Goldfish |
| Rodwan | John | 20 | Graveside Costume |
| Roesner | Franziska | 32 | Omen |
| Rose | Walker | 30 | July 4th, Two-Thousand-Something |
| Rosenberg | Kate | 19 | All Night Architecture; Modern Warfare |
| Rosenthal | Aviva | 10 | What Mary Queen of Arkansas |
| Ross | Jim | 23 | Harlem Summer Long; Still Marching for Civil Rights Fifty Years On |
| Rossner | Rena | 21 | House of Salt |
| Roth | Henry H. | 1 | Lunch |
| Roth | Henry H. | 2 | Untitled |
| Rothman | Robert | 29 | Palimpsest at 6 AM Before the Waves |
| Rouisse | Kristen | 21 | Traveling in a Clawfoot Tub |
| Rowland | Russell | 13 | Aquarium |
| Roy | Eric | 15 | Coach’s Son; Under Under Water Standing |
| Rubenfeld | Shawn | 21 | Real Talk |
| Rubin | Jay | 16 | Norwich Avenue |
| Rubin | Francine | 21 | Anti-Poem |
| Rullman | Craig | 1 | Touch and Go |
| Rullman | Craig | 2 | Mole |
| Ruscoll | Jill | 29 | Drought |
| Rush | M.C. | 22 | The Forecast |
| Russell | C.C. | 31 | Echoes Of Fire |
| Rypma | Judy A. | 12 | Superstition |
| Saal | Hannah | 29 | Men of Memory |
| Saleh | Dennis | 8 | Spell for Vanishing |
| Samuel | Nnadi | 28 | Poems Like This Refuse Sound, My Cramp Bears Music Enough |
| Samyn | Mary Ann | 27 | My Best Advice |
| Sapp | David | 10 | Scott |
| Saraceno | June | 21 | Unsung Mass |
| Scehovic | Jill | 15 | you’ll be given love |
| Scherstuhl | Alan | 5 | Gravel |
| Schnurr | Virginia | 11 | Bear on a Bar Stool |
| Schnurr | Virginia | 28 | Crazy Eights |
| Schoen | Amanda | 20 | Elsinore; Autumn Child: A Sestina |
| Schroeder | Steven | 21 | Grand Theft Auto |
| Schumacher | Matt | 16 | The Children of Electric Fires; Lament of the Distant Poet, Chasing His Head |
| Schwab | Matthew | 22 | Descending Cloud Forest, 2015; Women Carrying Firewood Across the Payatza River, 2015 |
| Scott | John I. | 22 | Among Collard Greens, 1930 |
| Seanor | Benjamin | 18 | Call Me Honeydew |
| Searles | George | 20 | Taking Narcissicism to the Next Level; Political Action |
| Seidl | Mark | 8 | Hail, and Well Met |
| Serchuk | Peter | 9 | Minor Poet; A Small Map of North Dakota |
| Seshadri | Erika | 30 | I Was an Orphan |
| Sgro | Ashley | 26 | Phantom Feelings/Stuck in a Car |
| Shehan | Shyla | 30 | Love As a Web / Begins |
| Shipley | Vivian | 4 | A Poetry Reading in Connecticut |
| Shipley | Vivian | 9 | Herring Gulls are Decisive |
| Short | Keene | 28 | Interkosmos |
| Shutt | Danielle | 18 | Inadequacy; Elegy for Jack |
| Silbergleid | Robin | 19 | Frida Kalho, My Sister; Frida Dreams of the Museum; Frida Kahlo Dreams of Diego Rivera; An Open Letter to Friday Kalho; The Broken Column |
| Sim | Al | 10 | Reefer Diamond |
| Simmerman | Jim | 20 | Wings of Desire; Blue; Karate |
| Simokaitis | Christine | 17 | Summer in the Lab |
| Singer | Sean | 15 | Vincent Van Gogh, An Invention of His Brother Theo |
| Sisson | Annette | 29 | Travel: An Unpacking |
| Skalsky | Askold | 7 | Freewriting, Late September |
| Skillman | Judith | 27 | King Tide Quinault |
| Skillman | Judith | 27 | Ebey’s Landing |
| Skolfield | Karen | 6 | A David Skolfield Love Poem |
| Sloan | Lynne | 13 | A Little 1 2 3 |
| Sloboda | Noel | 23 | Before the Moment When |
| Smith | Michael S. | 11 | Reasons for Neck Bones |
| Smith | Shanalee | 20 | Medusa’s Husband |
| Smith | Clint | 21 | What the Ocean Said to the Black Boy; Among Collard Greens, 1930 |
| Smith | Nell | 25 | Contemplating Shells: Plate 12 from William H. Emory’s Report on the United States and Mexican Boundary Survey (1848-1855) |
| Smith | Preston | 27 | Exodus on the Rocks |
| Snow | Bentley | 22 | The Moth |
| Snyder | William | 19 | For Tanzanite; Real Life |
| Sojourner | Mary | 21 | Up Near Pasco |
| Somerville | Kristine | 7 | The Flame Shirt |
| Soup | – | 16 | Dogwood and Bunny; Voodoo Girl |
| Spireng | Matthew J. | 16 | In Case of Fire |
| Spireng | Matthew J. | 17 | One Day a Fellow Summer School Student Brought a Quick End to a Pickup Game of Baseball |
| Spring | Sam | 32 | macaroni necklace |
| Stack | Jasmine | 16 | Untitled |
| Staeble | Louis | 26 | Big Fish |
| Starkey | David | 8 | Ways of Being Dead |
| Stevens | J. David | 20 | Good Intentions |
| Stice | Carolyn | 22 | Ode to Enough |
| Stout | Robert Joe | 23 | Devil Machines |
| Stratton | Billie Jean | 32 | The Devil Provides Accompaniment |
| Stuart-Powles | Celia | 13 | Weigh-In |
| Studor | Constance | 12 | Queen of the Sugarhouse |
| Stuloeff | John | 31 | Heart Problems |
| Suarez | Virgil | 7 | Santo Luis, Gardener of Miniature Roses; The Parable of Stones |
| Suarez | Virgil | 10 | Aphrodisiac Aphorism |
| Suárez | Virgil | 11 | Conjure, Baby |
| Sundin | Stephen | 9 | Auction |
| Suter | Beth | 30 | What’s Cracked |
| Sutherland | Andrew | 25 | Eris |
| Swan | Eliza | 26 | For the Girl Who Worried at 6 for Not Having a Rope Ladder to Escape Fire from Ground Floor |
| Swanson | Carl | 29 | Mississippi; Providence |
| Sweeney | Michael | 6 | Allen Ginsberg’s Sneakers |
| Sweet | John | 5 | The Molten Heat of August Afternoons; Weapon |
| Sweet | John | 6 | Soft |
| Swigart | Saramanda | 17 | Still Life with Moon |
| Sylvester | Louis | 14 | Sorry |
| Talbot | Kelly | 21 | Soft Feathered Steel |
| Talen | Julia Kooi | 27 | Passes |
| Tamani | Liara | 22 | Solo |
| Tannir | Noor | 30 | Blue, Blue, Blue |
| Tantillo | Sarah | 1 | Animals |
| Tarver | Elizabeth | 15 | Tickle Tongue |
| Taylor | Sareya | 28 | Poems |
| Teiti-Gierlach | Teatuahere | 30 | On Being Mā’ohi |
| Tempo | Kit | 27 | Chronic Wanting |
| Teniay | Meüsser | 22 | Soothsayer of Desert |
| Thomas | Richard | 13 | Breastless |
| Thomas | Kelly Lynn | 21 | A Series of Portrats in Which a Girl… |
| Thompson | Martin | 23 | blind |
| Thompson | Michael | 32 | Sink or Swim |
| Thompson, Jr. | Carl F. | 14 | Mrs. Harris Admirs the Perseids |
| Tikulin | Tihomir | 18 | The Line |
| Todd | J.C. | 22 | Pylimo Gatvė, Vilnius |
| Tomfohrde | Carmen | 17 | Written Sky II; Written Sky I |
| Tomorrowitz | Elena | 22 | Geometry |
| Torenberg | Lior | 29 | Elohim Yishmor |
| Torres | Noel | 22 | Pantoum for a Lost Christmas Syllable |
| Tosca | Kevin | 19 | When We All Grow Up |
| Tost | Tony | 9 | Tracy Acts Like She’s Eating a Whole Bird |
| Townsend | Jacinda | 14 | Souria |
| Townsend | Elizabeth | 32 | After the Shooting |
| Trabold | Erica | 28 | Rough Shape |
| Tracy | Anthony | 9 | Coleridge: In His Waning Days |
| Trame | David | 12 | A God |
| Tyrrell | Jimmy | 3 | The Reasonableness of Events: Chris McCandless and Into the Wild |
| Udell | Jay | 10 | The Tilelayer |
| Ulus | Neslihan | 15 | The Door |
| Uncapher | Daniel | 25 | Charismatic Megafauna |
| Urquidi | AJ | 21 | For the Farmers of Sheep Kill |
| Uttich | Laurie Rachkus | 8 | Face Down |
| Van Cleave | Ryan G. | 13 | Victims; Stolen Postcards |
| Van Zant | Frank | 7 | Generation XYZ Explicates Hamlet |
| VandeZande | Zach | 21 | Kinds of Rubble |
| Vannetta | Dennis | 12 | The Cup |
| Vaughan | Sara Wolfe | 23 | The West Is |
| Vega | Ellianie | 27 | Frida’s Bathroom |
| Vernon | William | 20 | In the Presence |
| Viets | Alexandra | 21 | After the War |
| Vieweg | Emily | 25 | Jungle Gym |
| Visconti | Nicolas | 29 | Revision |
| Vivian | Robert | 20 | Listening Town |
| Vontsolos | Alexi | 3 | Montana |
| Waite | Stacey | 13 | On the Occasion of Being Mistaken |
| Walser | John | 25 | Walking the Silt Field |
| Walters | Mirka | 31 | abstract nude |
| Ward | Tobey | 25 | Your Friend |
| Warden | Chloe | 19 | A Small Graceless Sound; To the Woman Who Died After Being Electrocuted While Crossing a Las Vegas Street |
| Warren | Abigail | 24 | Aunt Eileen |
| Webb | Charles H. | 4 | Turtle Love |
| Webb | Charles H. | 5 | Maintenance Man; Weeds |
| Webb | Evelyn Dunbar | 13 | Imaginary Truths |
| Webb | Charles | 31 | Squirt |
| Wedin | Terrance | 24 | Money, Blood, Heroics, Love |
| Wehle | Ellen | 1 | Saint Theresa Says |
| Weissenberger | Ute | 8 | Mioko; Girl No. 1 |
| Westhoff | Andy | 21 | The Psychadelic Hombre Serenades His Steed |
| Whalen | Brian Philip | 24 | Broadcast |
| White | Lynn | 23 | It’s Raining Again |
| White | Zachariah Claypole | 25 | In Turvey Cemetery |
| Whittaker | Rebekah Tobin | 32 | Life After Death |
| Whittemore | Marie | 4 | Araby |
| Whittenberg | Allison | 32 | Skin |
| Whittlesey | Mandoline | 11 | With Mermaid |
| Wiewiora | Chris | 20 | Way Out |
| Williams | Evan Morgan | 29 | Crenshaw, 1983 |
| Williamson III | Ernest | 18 | Pathogen of Misery |
| Wilson | Mariah | 20 | Father’s Death |
| Wilson | Scott | 25 | The Bust |
| Windwalker | Cassandra | 26 | The Gap in the Circle |
| Winn | Howard | 20 | Boulder |
| Winters | Mary | 11 | Naked, Naked Sisters |
| Wisniewski | Mark | 10 | Why I Was Drawing in Secret |
| Witting | Dave | 12 | Wanderer No. 3, Federal Building |
| Wittle | M.M. | 20 | Presenty in the Past |
| Wonders | Brooke | 15 | Graphic Interpretation of Proven Prose: An Interview with Diana Gabaldon |
| Wonders | Brooke | 17 | Unbirthday |
| Woodcock | Diana | 28 | Little Tern |
| Woods | Josh | 8 | Wolfing Pot Roast |
| Worozbyt | Theodore | 21 | Apart |
| Wright | Drew | 6 | The Name I Wish to be Called |
| Wright | Leslee | 20 | The Only Souvenir You Need |
| Wright | Kirby | 23 | Röykkiöhauta |
| Wright | Ellen June | 29 | While Thinking of Another’s Suffering; Perennials; Tulip Fever |
| Wright | Ellen June | 30 | To Those Who Would Not Die |
| Xuki | Moni | 28 | Poem |
| Yokely | Daisy | 22 | Standing with Burnt Trees |
| Young | Annabelle | 32 | Finding Home |
| Young | Tanya L. | 31 | Reversal Rehearsal; Saint John |
| Yuan | Jessica | 25 | Late Spring Snow |
| Zawlacki | Jake | 28 | Horse Trading |
| Zeiders | Rachel M. | 17 | Dying Man Sketch; Proposal; Photo #3 (“Suture Me” series); Urban |
| Zhang | Lucy | 27 | Synesthesia |
| Zilinsky | Peter | 1 | The Sheep Are Dying |
| Zimbaldi | Jane | 14 | Womb |
| Zimmerman | James K. | 26 | The Day the Tipping Point Arrived |
